Sunday, May 27, 2018

Jazz Crusaders Tribute: originally scheduled June 22, 2018, 9:00 p.m. -- World Stage Performance Gallery, 4321 Degnan Blvd., Los Angeles, California 90008 -- new date to be announced

Los Angeles area friends,

Robert Carmack's upcoming tribute to The Jazz Crusaders will feature several of my current, commissioned transcriptions, prepared for this concert at the World Stage Performance Gallery:



CRUSADER LEGACY 5 Plus Band
Teodross Avery tenor sax, Alvin Starks trombone, Mike Alvidrez~bass
Theo Saunders~ piano, Don Littleton ~ drums
Plus poet/spoken word ~ Robert J. Carmack
STREET LIFE: MAGIC & MUSIC THE JAZZ CRUSADERS~TICKETS ON SALE NOW !

Monday, July 10, 2017

Yamaha C9 in Fantasy Studio 'A', July 8, 2017. This is McCoy Tyner's piano; a marvelous instrument. An extremely productive session entitled The Ancients.  One hour, two minutes duration, in one, continuous take.

Preview this new recording as a high-resolution download. Please contact me directly for details.

Photo

Sunday, November 8, 2015

2015 transcription work

Several of my transcriptions debuted in a recent Duke Pearson tribute in Los Angeles.  Thanks, Robert Carmack for the reference.

http://hipstersanctuary.com/2015/08/26/love-it-when-a-great-jazz-concept-comes-together-thanks-uncle-duke/

Jazz Tokyo has published my transcription of 'Little Abi', a trio piece by the late, great Masabumi Kikuchi.

http://www.jazztokyo.com/rip/kikuchi/kikuchi1.html#016


Saturday, January 19, 2013

Anthony Braxton on Woody Shaw

Thanks, Woody Shaw III for sharing this historically significant reference. Quoting Professor Braxton, from his interview:

"He was a brilliant man. And he was fighting for his music, even though he had proved so much, there was still a struggle he was involved with to get the jazz world to acknowledge him, that he was separate from Freddie Hubbard, that his music was evolving in its own space. He was involved in his own struggle to advance his music."


Saturday, September 1, 2012

repost: Sonny Simmons Quartet @ Cafe Oto 13.05.10

A masterful quartet performance. It works because everyone is listening !

Musicians, if a bandleader tells you to NOT listen to each other, you should exit that group immediately !

Thanks to the artists for sharing this recording.




Thursday, January 26, 2012

priceless words by Andrew Hill

"...Parker was important, and it was with him that I first discovered that it is not enough to play melody, but that rhythm is also important and that melody is rhythm..."

"...Jazz is part of a tradition from before the word 'jazz' was invented; there was ragtime and other music building on harmony, and Afro-centric in that melody and harmony were an appendix to the rhythm. To keep the structure. It's important to check out the rhythm first. Do you understand it, or does it need more of an explanation? The rhythm was dominant, but to be what we call jazz, music must consist of certain elements of structure and form. In the Western world, melody is most important with rhythm and harmony as accompaniment. Always check out the rhythm, if it's static it means the music is dead. If you use an academic approach, you can learn the melodies, but they will lack rhythmic interaction..."

link to article

Friday, September 2, 2011

Monday, November 15, 2010

New Music: 'Robert's Return', with RWH Jazz Triad

Master percussionist Robert Houtman's RWH Jazz Triad hosted a benefit performance at Angelica's Bistro in Redwood City on November 12. This most expert trio -- with Robert on drums, the bassist Carl Herder, and the guitarist David Copeland -- performed their wonderful, original music, and included my piece 'Robert's Return', which was written specifically for this concert.

Here are the concert tapes, which are posted to YouTube.

Thank you all for your support.




Wednesday, October 27, 2010

new book: Andrew Hill music


I've just received these detailed scores; wonderful works for solo piano, including Erato, 15/8, and Dusk. Check it out!

http://www.musicdispatch.com/product/viewproduct.do?itemid=48020929&lid=0&keywords=andrew hill&subsiteid=105&&viewtype=songlist

Monday, May 17, 2010

Sixth Anniversary of 'Out of the Underground' session

The upcoming sixth anniversary of the Out of the Underground trio session (June 14, 2010) is bittersweet. On one hand, these performances with James Edmiston and Andrew Wilshusen continue to be enjoyed all over the world. As of May 16, 2010, there were 2,112 downloads of Beijing Girl through the All About Jazz website. On the other, Edmiston, the bassist on these sides, has since passed away. But his memory, and the very high professional standards that he set, live on.

In its all too brief lifespan, the trio captured an angst and immediacy not typical of groups from this region. Far removed from mainstream jazz, the music had more in common with 20th century European classical music, with direct references to the work of Bartók, Busoni, and others. Simply put, it scared the hell out of a lot of people. A local FM radio station was especially offended, and took the recording out of broadcast rotation. Which makes its current popularity both ironic and poignant.

Wilshusen, a virtuoso percussionist who now lives in Portland, Oregon, was at the group's core. At the time, Edmiston remarked that no one had driven the ensemble with greater technical skill.

What did we get out of this, as musicians? Maybe we learned to stand our ground, despite very real obstacles.

Out of the Underground continues to be streamed in its entirety at http://www.myspace.com/jamesarmstrongtrio

Wishing you all the best.

James